Kontakt 8 and Reaktor 6 are both Native Instruments platforms rather than single instruments, which is why buyers weigh them against each other. But they sit at opposite ends of sound creation: Kontakt is a sampler that plays back and shapes recorded audio, while Reaktor is a modular workshop for synthesizing sounds from raw DSP. They rarely compete for the same job, and choosing wrongly means owning a tool that will not do what you actually need.
Decisive signal
The deciding split is sampling versus synthesis, and it determines everything downstream. Kontakt's whole reason to exist is hosting recorded material: the commercial library industry builds on it, so an orchestral, guitar, or vintage-keys collection almost always ships as a Kontakt instrument that just loads and plays. Reaktor holds no such library ecosystem; instead its Primary and Core levels let you patch and even compile custom oscillators, filters, and sequencers that exist nowhere else. Put simply, Kontakt gives you the world's sampled sounds through one universal format, and Reaktor gives you a blank canvas to invent sounds no sample can capture. One is about access, the other about creation.