UAD Fairchild Tube Limiter Collection
Universal Audio · $49+
UAD Fairchild Tube Limiter Collection emulates the legendary Fairchild 660 mono and 670 stereo tube limiters for mix bus glue and mastering-style compression.
The holy-grail tube limiter in software—660 punch and 670 stereo vibe for buses and masters when you want legendary Fairchild glue.
Ideal para: Mix and mastering engineers chasing Fairchild-style tube limiting on drums, vocals, pianos, and stereo buses.
Pros
- Models of Fairchild 660 and 670 tube limiters
- Signature aggressive yet musical tube limiting character
- Native availability expands access beyond pure DSP shops
- Sidechain filter and modern workflow extras on current versions
Cons
- Premium character tool—not a transparent mastering limiter like Pro-L 2
- Easy to over-compress; Fairchild is a flavor as much as a controller
- Price and Spark inclusion change with UA sales
Resumen
The UAD Fairchild Tube Limiter Collection brings the legendary Fairchild 660/670 tube limiters into software. In hardware these units are museum-piece expensive; in UAD form they remain the reference for a particular kind of aggressive, vibey compression that glues buses and lifts sources.
It excels when "make it feel like a record" is the brief. Drums, pianos, vocals, and full mixes take on the Fairchild weight that engineers still chase. Stereo 670 behavior on a mix bus is a classic mastering-adjacent move, while mono 660-style use punches individual tracks. Modern extras like sidechain filtering help control low-end pumping on full mixes.
The trade-offs are transparency and restraint. This is not Pro-L 2 or a clean brickwall maximizer. Overuse thickens and breathes in ways that can ruin a delicate master. Cheaper or free compressors cover functional dynamics; they do not deliver this specific tube mythology.
Choose Fairchild when the historical tube limiter sound is the goal. Choose SSL bus comps for console glue, 1176 for FET speed, or modern limiters for competitive loudness without vintage color. Demo carefully and start subtle.
Especificaciones
- Models
- Fairchild 660 (mono) and Fairchild 670 (stereo) family
- Type
- Tube limiter / compressor collection
- Classic uses
- Mix bus glue, drums, vocals, piano, mastering color
- Platform
- Native and/or UAD-2 versions depending on license (confirm current SKU)
- Manual
- UA Help Center Fairchild Tube Limiter Collection Manual
Última verificación 2026-07-16
Preguntas frecuentes
What is the difference between Fairchild 660 and 670?
The 660 is the mono unit often used on individual sources; the 670 is the stereo unit famous for bus and mastering glue with linked/sidechain behaviors that defined many classic records.
Is Fairchild a transparent limiter?
No. It is a highly colored tube limiter. For invisible loudness control, use a modern true-peak maximizer; use Fairchild for tone and glue.
Does it require Apollo?
Current UA store listings commonly offer native operation for many Fairchild SKUs. Confirm the product page for native vs DSP requirements on your exact version.
Competidores directos
UAD Fairchild Tube Limiter Collection vs — head-to-head specs, price, and Dubspot Score.