The ability to easily extract timing from audio or midi material and create templates takes quantization to a new level. Not only can we now transfer real live feel to alter machine grooves, but this also will make it easier to tighten up just about anything in our set for a cleaner sound, thus adding a new level of control to electronic music making.. so instead of correcting a live performance to a quantization grid, we can use a groove pattern to brake evenness in a controlled way and add a less repetitive ‘live’ feel.
For starters this is a very significant development for people that like to layer drum loops: mixing and matching beats just became a lot easier. no more time consuming nudging to eliminate flams of kicks and snares.. competing grooves can be unified in seconds for a tighter and more transparent sound.
Load several loops of different styles and tempos…
Of course we could also do this successfully with many other musical parts such as percussion, bass lines, sequenced synths or any other rhythmic audio or midi clip.
Extracting Grooves from audio or midi let’s you tap into the performances of great drummers or store your favorite midi grooves for future use.. to create your own library.
Grooves templates can also be viewed and edited with the grid as a part of a midi clip.. instruments that follow the groove can then easily be added.
Instead of drag dropping groove patterns directly onto clips you can also add them to to Groove Pool by double clicking on a selection in the Browser.
Here you can adjust a variety of parameters controlling the action of the ‘grooves’
Groove patterns can be called up on the fly to explore different approaches of quantization in a non-destructive way.. to do that set the groove’s Timing, Random and Velocity amounts to 0% and adjust it’s Quantize and Base parameters.
With only Quantize applied the actual content of the groove is ignored.
ALL IN ALL IT LOOKS LIKE ABLETON LIVE IS BREAKING NEW GROUND AGAIN…
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