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	<title>Dubspot Blog &#187; production tips</title>
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		<title>Ableton Live Tips w/ Dubspot&#8217;s Thavius Beck &#8211; Did you Know? Pt 2: Editing The Info View</title>
		<link>http://blog.dubspot.com/ableton-live-video-tutorial-series-did-you-know-2/</link>
		<comments>http://blog.dubspot.com/ableton-live-video-tutorial-series-did-you-know-2/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 17:51:26 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Ableton Live]]></category>
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		<category><![CDATA[Edit Info Text]]></category>
		<category><![CDATA[editing the info view]]></category>
		<category><![CDATA[electronic music production]]></category>
		<category><![CDATA[info view]]></category>
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		<guid isPermaLink="false">http://blog.dubspot.com/?p=28867</guid>
		<description><![CDATA[In the second installment of Did You Know? Thavius explains Ableton Live's Info View, and shows you how you can edit and create your own text and write notes and instruction. This is an extremely useful tip for remixing and collaborations.]]></description>
			<content:encoded><![CDATA[<p><em><strong>In our new <a href="http://www.dubspot.com/ableton-live/">Ableton Live</a> video tutorial series &#8220;Did You Know?&#8221;, Ableton Certified Trainer, Dubspot Instructor, and electronic musician <a href="http://www.ableton.com/pages/education/certified_training/trainers/thavius_beck">Thavius Beck</a> checks out less explored and slightly hidden features in Live. </strong>In the second installment of </em><em>Did You Know? Thavius explains Ableton Live&#8217;s <strong>Info View</strong>, and shows you how you can edit and create your own text and write notes and instruction. This is an extremely useful tip for remixing and collaborations.</em></p>
<p><a href="http://blog.dubspot.com/ableton-live-video-tutorial-series-did-you-know-2/"><em>Click here to view the embedded video.</em></a></p>
<p>In the lower left corner of Live&#8217;s interface you can enable the Info  View which will display information about whatever your mouse is  hovering over at the time.  This is very helpful when you are  approaching a new instrument or effect for the first time.  But wait  there&#8217;s more&#8230;</p>
<p>What I didn&#8217;t know was that you can actually write your own notes in the Info View. You can right-click on a clip or track and select Edit Info Text from the contextual menu, which allows you to type your own notes that will be displayed in the Info View whenever someone hovers their mouse over that particular clip or track. This can be very useful if you are sharing your Live sets with other people. For example, let&#8217;s say you need someone else to mix a song for you; you can write little notes about the tracks or individual clips and all of that info will be saved with your set and displayed in the Info View for your mixing engineer&#8217;s reading pleasure (but of course that&#8217;s just one application).  Yet another feature that is conveniently hidden&#8230; haha! &#8211; <strong>Thavius Beck</strong></p>
<p><strong><img class="alignnone size-full wp-image-28883" title="157_youtube_didyouknow_graphic_r1a" src="http://blog.dubspot.com/files/2012/02/157_youtube_didyouknow_graphic_r1a.jpg" alt="" width="640" height="360" /><br />
</strong></p>
<p><img title="music-production-banner" src="../files/2011/10/music-production-banner.jpg" alt="" width="200" height="78" /></p>
<p>Our music production program is  custom-tailored to fit your musical     style. You can choose from several  Digital Audio Workstations    including  <a href="http://www.dubspot.com/ableton-live/">Ableton Live</a>, <a href="http://www.dubspot.com/logic-pro/">Logic Pro</a>, or <a href="http://www.dubspot.com/reason-record/">Propellerhead’s Reason</a>.</p>
<p>After completing this program, you will   leave        with 4     completed tracks (EP), a remix entered in an active    contest,  a          scored commercial to widen your scope, and the  Dubspot   Producer’s          Certificate in Ableton Live.</p>
<p><strong>What’s Included:</strong></p>
<ul>
<li><strong>Ableton Live Level 1: Shake Hands with Live</strong></li>
<li><strong>Ableton Live Level 2: Completing Your First Track</strong></li>
<li><strong>Ableton Live Level 3: Production Essentials</strong></li>
<li><strong>Ableton Live Level 4: Sound Design &amp; Instrumentation</strong></li>
<li><strong>Ableton Live Level 5: Advanced Composition &amp; Production</strong></li>
<li><strong>Ableton Live Level 6: Taking Your EP Global</strong></li>
<p><strong> </strong><em>“So far the experience through Dubspot is    incredible,   and I can’t wait to go through the next levels. It’s just    getting   better each week, and I can not wait to start putting an EP    together,   not just being able to put a successful track together!”</em> <em>- </em>Dan Carter<em>, United Kingdom<br />
</em></ul>
<p><strong>Start dates and information about payment plans can be found <a href="https://www.dubspot.com/register/music-foundations-program">here.</a></strong></p>
<p>Or if you have questions, please call 877.DUBSPOT or <a href="http://www.dubspot.com/contact">send us a message</a>.</p>
<p><a href="http://blog.dubspot.com/ableton-live-video-tutorial-series-did-you-know-2/"><em>Click here to view the embedded video.</em></a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Ableton Live Tips w/ Dubspot&#8217;s Thavius Beck &#8211; Did you Know? Pt 1: Ping Pong as Tape Delay</title>
		<link>http://blog.dubspot.com/ableton-live-video-tutorial-series-did-you-know-1/</link>
		<comments>http://blog.dubspot.com/ableton-live-video-tutorial-series-did-you-know-1/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 22:35:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://blog.dubspot.com/?p=28339</guid>
		<description><![CDATA[In the first installment of our new Ableton Live video tutorial series &#8220;Did You Know?&#8221;, Ableton Certified Trainer, Dubspot Instructor, and electronic musician Thavius Beck checks out a less explored and slightly hidden feature in Live. Thavius shows you how<a href="http://blog.dubspot.com/ableton-live-video-tutorial-series-did-you-know-1/"></a>]]></description>
			<content:encoded><![CDATA[<p><strong>In the first installment of our new <a href="http://www.dubspot.com/ableton-live/">Ableton Live</a> video tutorial series &#8220;Did You Know?&#8221;, Ableton Certified Trainer, Dubspot Instructor, and electronic musician <a href="http://www.ableton.com/pages/education/certified_training/trainers/thavius_beck">Thavius Beck</a> checks out a less explored and slightly hidden feature in Live. </strong>Thavius shows you how to make Live&#8217;s Ping Pong delay effect sound more like an authentic tape delay! As he puts it, this will &#8220;take less than 5 minutes of your life, and you will leave knowing a little bit more than you did before.&#8221; Sounds like a win-win to me!</p>
<p><a href="http://blog.dubspot.com/ableton-live-video-tutorial-series-did-you-know-1/"><em>Click here to view the embedded video.</em></a></p>
<p>&#8220;Ableton Live is one of the most flexible, capable, and robust pieces of software I&#8217;ve ever been lucky enough to use on a day to day basis.  But even as an Ableton Certified trainer and daily user, there are still a few easter eggs that I stumble upon and think, &#8220;Wow, had I known that last year I would have already gone platinum by now!&#8221; Haha!  Not quite, but I think you get the idea.</p>
<p>Inspired by the tip that you all are about to learn in the following video, my fellow Dubspot colleague Steve Nalepa suggested that a video tutorial series be done about all of the hidden things in Live that can be revealed by a simple Right-click of the mouse.  After giving that a bit of thought, I tweaked the initial idea and decided to focus on a handful of things that all users, no matter how novice or advanced, may have never known was possible in our beloved piece of software.  Thus the brand new video tutorial series entitled, &#8220;Did You Know?&#8221; was born! I hope you enjoy and continue to be creative!&#8221; &#8211; <strong>Thavius Beck</strong></p>
<p><a href="http://blog.dubspot.com/files/2012/01/thavius-did-you-know-screenshot2.jpg" rel="lightbox[28339]" title="thavius-did-you-know-screenshot2"><img class="alignnone size-full wp-image-28369" title="thavius-did-you-know-screenshot2" src="http://blog.dubspot.com/files/2012/01/thavius-did-you-know-screenshot2.jpg" alt="" width="640" height="360" /></a></p>
<p><img title="music-production-banner" src="../files/2011/10/music-production-banner.jpg" alt="" width="200" height="78" /></p>
<p>Our music production program is  custom-tailored to fit your musical    style. You can choose from several  Digital Audio Workstations   including  <a href="http://www.dubspot.com/ableton-live/">Ableton Live</a>, <a href="http://www.dubspot.com/logic-pro/">Logic Pro</a>, or <a href="http://www.dubspot.com/reason-record/">Propellerhead’s Reason</a>.</p>
<p>After completing this program, you will   leave        with 4    completed tracks (EP), a remix entered in an active    contest,  a         scored commercial to widen your scope, and the  Dubspot   Producer’s         Certificate in Ableton Live.</p>
<p><strong>What’s Included:</strong></p>
<ul>
<li><strong>Ableton Live Level 1: Shake Hands with Live</strong></li>
<li><strong>Ableton Live Level 2: Completing Your First Track</strong></li>
<li><strong>Ableton Live Level 3: Production Essentials</strong></li>
<li><strong>Ableton Live Level 4: Sound Design &amp; Instrumentation</strong></li>
<li><strong>Ableton Live Level 5: Advanced Composition &amp; Production</strong></li>
<li><strong>Ableton Live Level 6: Taking Your EP Global</strong></li>
<p><strong> </strong><em>“So far the experience through Dubspot is    incredible,  and I can’t wait to go through the next levels. It’s just    getting  better each week, and I can not wait to start putting an EP    together,  not just being able to put a successful track together!”</em> <em>- </em>Dan Carter<em>, United Kingdom<br />
</em></ul>
<p><strong>Start dates and information about payment plans can be found <a href="https://www.dubspot.com/register/music-foundations-program">here.</a></strong></p>
<p>Or if you have questions, please call 877.DUBSPOT or <a href="http://www.dubspot.com/contact">send us a message</a>.</p>
<p><a href="http://blog.dubspot.com/ableton-live-video-tutorial-series-did-you-know-1/"><em>Click here to view the embedded video.</em></a></p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Hank Shocklee (Public Enemy) + FaltyDL @ Dubspot: Live Streaming Workshop</title>
		<link>http://blog.dubspot.com/hank-shocklee-faltydl-dubspot-live-streaming-workshop-jan-30-w-propellerhead-reason-6-balance/</link>
		<comments>http://blog.dubspot.com/hank-shocklee-faltydl-dubspot-live-streaming-workshop-jan-30-w-propellerhead-reason-6-balance/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 19:55:26 +0000</pubDate>
		<dc:creator>Michael Walsh</dc:creator>
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		<guid isPermaLink="false">http://blog.dubspot.com/?p=27602</guid>
		<description><![CDATA[Monday January 30th from 7-930pm EST, production luminary Hank Shocklee (Bomb Squad, Public Enemy) and dubstep / bass producer FaltyDL will talk about  workflow with Reason and discuss the new Balance audio interface. ]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-27755" title="shocklee_faltydl" src="http://blog.dubspot.com/files/2012/01/155_web_eflyer_hank-falty_workshop_r21.jpg" alt="" width="640" height="750" /></p>
<h4>Propellerhead Reason 6 Workshop with Hank Shocklee &amp; Falty DL</h4>
<p><a href="http://www.propellerheads.se/" target="_blank">Propellerhead Software&#8217;s</a> Reason audio production platform made a massive leap in 2011. <a href="http://www.dubspot.com/programs/reason-producer-certificate-program/">Reason 6</a> brought features such as the integration of Record (the acclaimed recording and mixing software), new instruments, new effects, a new mixer, and a sexy new audio interface called <a href="http://www.propellerheads.se/products/balance/i" target="_blank">Balance</a>. Add to this list a pay-what-you-want upgrade option for owners of Reason and Record and you&#8217;ve got an impressive music production platform that hit many <a href="http://www.musicradar.com/news/tech/the-best-music-tech-gear-of-2011-synths-daws-plug-ins-keyboards-apps-and-more-519700/1" target="_blank">best of 2011 lists</a> in recent weeks. Reason 6 is a totally new beast.</p>
<p>To help you understand the depth and possibilities of this new production platform we are pleased to preset a special<strong> Reason 6 workshop at Dubspot NYC on Monday January 30th from 7-9pm EST. The event will feature production luminary</strong><strong> <a href="http://shocklee.com/" target="_blank">Hank Shocklee</a> (Bomb Squad, Public Enemy, Def Jam), dubstep / bass producer</strong><strong> <a href="http://soundcloud.com/faltydl" target="_blank">FaltyDL</a>, and vocalist <a href="http://codygeil.com/fr_intro.cfm" target="_blank">Cody Geil</a>. </strong>Dubspot&#8217;s <strong>Chris Petti </strong>and<strong> </strong>Propellerheads&#8217; <strong>James Bernard</strong> will host a series of discussions and demonstrations that will introduce you to new workflow and features in Reason 6 using the Balance Controller (read more on Balance below). James Bernard and Hank Shocklee will kick off the event with a short discussion on effecient production methods with Reason and they will quickly segue into producing a track from scratch in front of the audience. If you&#8217;d like to join us for this discussion and workshop, please <a title="RSVP on our Facebook page" href="https://www.facebook.com/events/148936485220804/">RSVP on our Facebook page</a>. In addition, we will be streaming the workshop live on out site, so bookmark this page if you&#8217;d like to catch the workshop online!</p>
<p><a href="http://blog.dubspot.com/hank-shocklee-faltydl-dubspot-live-streaming-workshop-jan-30-w-propellerhead-reason-6-balance/"><em>Click here to view the embedded video.</em></a></p>
<h4>About Hank Shocklee</h4>
<p><strong>Hank Shocklee </strong>is one of the godfathers of hip hop and modern music production. Through his early work as a DJ on Adelphi University’s 90.3 FM radio station and as a nightclub manager, Shocklee started to meet the individuals who would later be transformed into the groundbreaking group <strong><a href="http://www.publicenemy.com/" target="_blank">Public Enemy</a>. </strong>As Shocklee’s work with Public Enemy started to gain momentum and airplay, a then lesser-known <strong><a href="http://www.rushcommunications.com/russell-simmons/" target="_blank">Russell Simmons</a></strong> summoned Shocklee to work on remixes for artists on his Def Jam roster. It was Shocklee’s creative vision and energy that landed him a position with Def Jam Recordings where he served as Vice President of A&amp;R and staff producer from 1986-1988, while he was still developing the Public Enemy Concept. Shocklee also eventually became the Publicity and Marketing point person for Rush Artist Management and handled touring projects for artists such as <strong>Run DMC, Beastie Boys, LL Cool J, and Jazzy Jeff and the Fresh Prince</strong>. With the signing of Public Enemy to Def Jam Recordings and the group’s rise to stardom, Shocklee’s efforts shifted to full time studio work. He served as Producer and Executive Producer for the group and led them to the success of <strong>1 Double Platinum, 4 Platinum and 2 Gold Albums</strong>. Shocklee also managed Public Enemy along with Russell Simmons and Public Enemy soon became Def Jam’s biggest global act and went on the road for a series of successful world tours.</p>
<p><a href="http://blog.dubspot.com/hank-shocklee-faltydl-dubspot-live-streaming-workshop-jan-30-w-propellerhead-reason-6-balance/"><em>Click here to view the embedded video.</em></a></p>
<h4>About FaltyDL</h4>
<p>Drew Lustman&#8217;s releases as <a href="http://www.myspace.com/faltydl" target="_blank">FaltyDL</a> encompass IDM, drum’n’bass, hardcore techno, house, garage, and dubstep. Full of abstractions and abrupt changes, the majority of his output was nonetheless intended for active dancefloors. The New York-based producer debuted &#8220;FaltyDL&#8221; in 2007 but gained serious traction in 2009 with a pair of singles on Ramp, as well as an EP and an album &#8212; titled Love Is a Liability &#8212; for Planet Mu. More short-form releases on Rush Hour, Planet Mu, Ramp, and Swamp81 were issued across 2010 and 2011. You Stand Uncertain, a second album, was also released on Planet Mu in March of 2011.</p>
<h4><a href="http://blog.dubspot.com/files/2012/01/balance.jpg" rel="lightbox[27602]" title="balance"><img class="aligncenter size-full wp-image-27617" title="balance" src="http://blog.dubspot.com/files/2012/01/balance.jpg" alt="" width="640" height="378" /></a>Balance Audio Interface</h4>
<p>• 2-in by 2-out audio interface<br />
• USB 2.0 – bus powered<br />
• Hi-end pre-amplifiers<br />
• Hi-end 24-bit ADC/DACs, 44.1 to 96kHz<br />
• Low latency design<br />
• Clip Safe —  “built-in recording engineer” automatically heals any clipped recordings.<br />
• Mac OS class compliant (no driver on Mac OS).<br />
• ASIO drivers for Windows.<br />
• Built-in Propellerhead Ignition Key<br />
• Direct monitoring (for stand-alone or DAW use)<br />
• Two XLR microphone inputs w. 48V phantom power<br />
• Two 1/4&#8243; guitar inputs with padding<br />
• Four 1/4&#8243; line inputs (two stereo pairs)<br />
• One 1/4” headphone output<br />
• Two 1/4&#8243; TRS balanced main outputs<br />
• Hardware input source selection<br />
• Input level control<br />
• Separate output and headphone level control<br />
• Output muting</p>
<p>Links : Balance and Reason &#8211; <a rel="nofollow" href="http://www.propellerheads.se/products/balance/" target="_blank">Propellerhead &#8211; Balance and Reason Essentials </a><br />
Balance Design and Features &#8211; <a rel="nofollow" href="http://www.propellerheads.se/products/balance/index.cfm?fuseaction=get_article&amp;article=features" target="_blank">Propellerhead &#8211; Balance &#8211; Design and Features</a></p>
<p><img title="music-production-banner" src="../files/2011/10/music-production-banner.jpg" alt="" width="200" height="78" /></p>
<p>Master  Reason &amp; Record with our complete program of courses     culminating in  a four track EP ready for release.  In addition to     achieving a complete  overview of the composition process in Reason     &amp; Record you’ll also earn the Dubspot Producer’s Certificate in     Reason &amp; Record.  After  completing this program, you will leave   with a new EP, a remix   entered  in an active remix contest, a Refill   ready to share, and the   Dubspot  Producer’s Certificate in Reason   &amp; Record.</p>
<ul>
<li>Reason Level 1: Sketches, Beats, and Remixes</li>
<li>Reason Level 2: Dissect and Reconstruct</li>
<li>Reason Level 3: Sound Design</li>
<li>Reason Level 4: Advanced Sound Design</li>
<li>Reason Level 5: Recording and Mixing</li>
<li>Reason Level 6: Beyond the Rack</li>
</ul>
<p>This program is about learning Reason by going through the entire  process of being an artist, from developing your sound through a series  of sketches while getting familiar with the application to creating a  fully-fleshed out four song EP. You will create a remix and submit it to  an active remix contest, create a refill, and learn valuable insider  tips and techniques.</p>
<p><strong>Start dates and information about payment plans can be found <a href="https://www.dubspot.com/register/music-foundations-program">here.</a></strong></p>
<p>Or if you have questions, please call 877.DUBSPOT or <a href="http://www.dubspot.com/contact">send us a message</a>.</p>
<p><a href="http://blog.dubspot.com/hank-shocklee-faltydl-dubspot-live-streaming-workshop-jan-30-w-propellerhead-reason-6-balance/"><em>Click here to view the embedded video.</em></a></p>
]]></content:encoded>
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		<title>Lemur for iPad Video Tutorial Pt 2: Controlling Ableton Live Effects + Custom Lemur Interface</title>
		<link>http://blog.dubspot.com/lemur-video-tutorial-part-2/</link>
		<comments>http://blog.dubspot.com/lemur-video-tutorial-part-2/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 21:11:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Ableton Live]]></category>
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		<guid isPermaLink="false">http://blog.dubspot.com/?p=27993</guid>
		<description><![CDATA[In part two of this video, Dubspot Electronic Music Production and Sound Design instructor Evan Sutton explains and demonstrates how to use the Liine's Lemur software to control some parameters in a custom-built effects rack in Ableton Live. ]]></description>
			<content:encoded><![CDATA[<h4>In the second installment of this two-part series, Dubspot   Electronic Music Production and Sound Design instructor Evan Sutton   explains and demonstrates how to use the Lemur software to control some   parameters in a custom-built effects rack in <a href="http://www.dubspot.com/ableton-live/">Ableton Live</a>. If you missed part one, you can view it <a href="../lemur-video-tutorial-part-1/">here</a>.</h4>
<p><a href="http://blog.dubspot.com/lemur-video-tutorial-part-2/"><em>Click here to view the embedded video.</em></a></p>
<p>First, we’ll connect the iPad to the Lemur Daemon using an Ad-Hoc WiFi network. After both the iPad and computer are connected to the same network, the Lemur Daemon is relatively simple to use. The Daemon will translate incoming Lemur messages from your iPad to MIDI that can be used in your DAW.</p>
<p>In Ableton’s MIDI preferences, select the appropriate Daemon Input. Enable MIDI Learn by hitting cmd+M on your keyboard. Now click on a parameter in Live, and move the object on the Lemur you’d like to control it. For faders, this is a relatively straightforward process, but for Lemur’s Multiball object, it can be helpful to move the ball to the bottom left corner so that you can be sure and learn only one axis at a time.</p>
<p>The Effects Rack in this Ableton Live set features Redux, two Auto Filters, Corpus, Chorus, Frequency Shifter, Beat Repeat, and Auto Pan. Additionally, there is a Reverb on Send A, and a Granular Delay on Send B. Many of the effects are set so that when the relevant fader is moved, the effect is engaged. When the fader for any of the effects is set to zero, the effect is bypassed.</p>
<p>Once all of your controls are set up, it&#8217;s time to get busy.</p>
<p>- <strong>Dubspot Instructor Evan Sutton</strong></p>
[contact-form]
<p><strong><img class="alignnone size-full wp-image-28023" title="es-lemur1-1" src="http://blog.dubspot.com/files/2012/01/es-lemur1-1.jpg" alt="" width="640" height="360" /><br />
</strong></p>
<p><em><a href="http://suttonevan.com/" target="_blank">Evan Sutton</a> is an electronic music producer, sound designer, and audio engineer. He is an instructor of Electronic Music Production and Sound Design, as well as a Curriculum Designer and Developer of the <a href="http://www.dubspot.com/sound-design/" target="_blank">Sound Design</a> Program at Dubspot. You can hear music, and find more about him at his outfit, <a href="http://astrolith.wordpress.com/" target="_blank">Astrolith.net</a> and <a href="http://soundcloud.com/astrolith" target="_blank">SoundCloud.com/Astrolith</a>.</em></p>
<p><em><img title="sound-design-banner" src="../files/2011/10/sound-design-banner.jpg" alt="" width="199" height="76" /></em></p>
<p>Become fluent in the language of sound design with this comprehensive program. This six-level <strong><a href="http://www.dubspot.com/sound-design/">Sound Design</a></strong> program uses Native Instruments’ Komplete as a platform for learning    synthesis and sampling techniques. Starting with an introduction to the    properties of sound, this comprehensive series of courses covers most    common synthesis methods available for music production in the DAW of    your choice.</p>
<p>Discovering the right sound is like finding a needle in the digital    haystack. Learn the fundamentals to make this easier, and gain the  depth   of knowledge to make a good sound better. Factory content is  great,  but  everyone has it – your mix needs something special.</p>
<p><em> </em><strong>What’s Included:<br />
</strong></p>
<ul>
<li><strong>Sound Design Level 1: Introduction to Komplete 8<br />
</strong></li>
<li><strong>Sound Design Level 2: Synthesis with Massive, FM8 and Absynth</strong></li>
<li><strong>Sound Design Level 3: Sampling with Kontakt and Battery</strong></li>
<li><strong>Sound Design Level 4: Advanced Sound Design</strong></li>
<li><strong>Sound Design Level 5: Reaktor Ensembles and Instruments</strong></li>
<li><strong>Sound Design Level 6: Reaktor Programming</strong></li>
</ul>
<p><strong>Start dates and information about payment plans can be found </strong><a href="https://www.dubspot.com/register/djproducer-master-certificate-program"><strong> </strong></a><strong><a href="http://www.dubspot.com/programs/maschine-program/?from=5301#courses">here</a></strong>.</p>
<p>Or if you have questions, please call <strong>877.DUBSPOT</strong> or <a href="http://www.dubspot.com/contact">send us a message</a>.</p>
<p><a href="http://blog.dubspot.com/lemur-video-tutorial-part-2/"><em>Click here to view the embedded video.</em></a></p>
]]></content:encoded>
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		<title>Max Glazer (Federation Sound System / EVR / NYC) @ Dubspot &#8211; &#8216;Wireless&#8217; Video Interview</title>
		<link>http://blog.dubspot.com/max-glazer-federation-dubspot-wireless/</link>
		<comments>http://blog.dubspot.com/max-glazer-federation-dubspot-wireless/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 19:42:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://blog.dubspot.com/?p=27883</guid>
		<description><![CDATA[In the latest episode of Dubspot's Wireless interview series, instructor, composer, and multi-instrumentalist Raz Mesinai (also formerly known as Badawi) catches up with a long time friend, Max Glazer of the New York City-based dancehall sound system Federation Sound. ]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.dubspot.com/max-glazer-federation-dubspot-wireless/"><em>Click here to view the embedded video.</em></a></p>
<p>In the latest episode of Dubspot&#8217;s Wireless interview series, instructor, composer, and multi-instrumentalist <a href="http://www.thehereticofether.com/">Raz Mesinai</a> (also formerly known as Badawi) catches up with a long time friend, <a href="https://twitter.com/#!/MaxGlazer">Max Glazer</a> of the New York City-based dancehall sound system <a href="http://federationsound.com/blog">Federation Sound</a>. Max founded Federation Sound with <a href="http://www.kennymeez.com/">Kenny Meez</a> and <a href="http://www.hot97.com/">Hot97</a>&#8217;s <a href="http://www.ciphasounds.com/blog/">Cipha Sounds</a> in 1999. Max grew up listening to a great deal of Jamaican reggae and dub; at home, his father played artists such as Trinity, Dillinger, U-Roy, Peter Tosh. He fell in love with hip hop and house listening to influential radio DJs like Red Alert, but his appreciation for Jamaican music culture endured over the years. Today, Max Glazer is an international dancehall DJ; he spent years as music director and tour DJ for music superstar Rihanna. There was a lot to discuss between these two old friends; Raz and Max talk about a wide range of topics, from their early days as DJs in New York City (the lineup for one of their first gigs was Badawi, Max Glazer and DJ Spooky) to dubplate culture to maintaining a unique voice and staying true to yourself.</p>
<p><img class="alignnone size-full wp-image-27889" title="wireless4" src="http://blog.dubspot.com/files/2012/01/wireless4.jpg" alt="" width="640" height="360" /></p>
<p>Related Dubspot Courses Starting Online &amp; in New York City:</p>
<p><strong><a href="http://bit.ly/e6wP87" target="_blank">Digital DJing w/ Traktor Pro 2 Program</a></strong> starts February 5th Online.</p>
<p><em> </em></p>
<p><em><img title="dj-banner" src="../files/2011/10/dj-banner.jpg" alt="" width="177" height="75" /></em></p>
<p><strong><a href="http://www.dubspot.com/programs/dj-extensive-program/?from=105">DJ Extensive Program</a></strong></p>
<p>Immerse yourself in the complete art of DJing from  beatmatching to         stage presence. Whether you’re a beginner in search  of the      fundamentals    or a seasoned   pro looking to take your talent  to the      next level, our    curriculum is   designed to accommodate all   skill     levels and styles  of   music. This   comprehensive DJ program    covers    everything from basic    mixing to advanced   digital  DJing.   Learn  more   about our <a href="http://www.dubspot.com/programs/dj-extensive-program/?from=531">DJ</a> courses and programs.</p>
<p><strong>What’s Included:</strong></p>
<ul>
<li><strong>DJ Level 1: Rookie Sessions | Essentials I</strong></li>
<li><strong>DJ Level 2: Phrase Mixing | Essentials II</strong></li>
<li><strong>DJ Level 3: Beyond The Blend | Intermediate Skills</strong></li>
<li><strong>DJ Level 4: Preparation | DJ Psychology</strong></li>
<li><strong>DJ Level 5: Classroom to the Club | Advanced Techniques I</strong></li>
<li><strong>DJ Level 6: Club to the World | Advanced Techniques II</strong></li>
</ul>
<p><em>“I love the class, and the content! Shiftee and Endo are very       funny, and very clear, so the material is easy and fun to follow! I   wish     my college   teachers  were more like these two!” – Leandro    Martinez,    Chicago IL</em></p>
<p><strong>Start dates and information about payment plans can be found <a href="https://www.dubspot.com/register/digital-djing-w-traktor-pro-2-program">here</a>.<br />
</strong></p>
<p>Or if you have questions, please call 877.DUBSPOT or <a href="http://www.dubspot.com/contact">send us a message</a>.</p>
]]></content:encoded>
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		<title>Maschine Video Tutorial Pt 3/3: Mr. Invisible&#8217;s Justin Aswell &#8211; Live Performance Techniques</title>
		<link>http://blog.dubspot.com/maschine-video-tutorial-invisible-aswell-part3/</link>
		<comments>http://blog.dubspot.com/maschine-video-tutorial-invisible-aswell-part3/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 18:46:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://blog.dubspot.com/?p=27851</guid>
		<description><![CDATA[In the final installment of our three-part video tutorial series exploring the creative production and performance possibilities of Native Instruments versatile groovebox Maschine, Justin Aswell of innovative Charlotte, North Carolina-based hip hop group Mr. Invisible offers some practical live performance advice, tips and tricks for DJs,]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.dubspot.com/maschine-video-tutorial-invisible-aswell-part3/"><em>Click here to view the embedded video.</em></a></p>
<p>In the final installment of our three-part video tutorial series  exploring the creative production and performance possibilities of <strong>Native Instruments</strong> versatile groovebox <strong><a href="http://www.dubspot.com/maschine/" target="_blank">Maschine</a></strong>, <strong><a href="http://soundcloud.com/justin-aswell">Justin Aswell</a></strong> of innovative Charlotte, North Carolina-based hip hop group <strong><a href="http://mrinvisible.net/" target="_blank">Mr. Invisible</a></strong> offers some practical live performance advice, tips and tricks for DJs, musicians and performers. This is an essential video tutorial if you&#8217;re looking to incorporate Maschine into your live setup. Justin Aswell explains and demonstrates ways to avoid common pitfalls many electronic musicians face when they are playing live; from using a delay effect to maintain a consistent BPM to triggering multiple hits and samples on a single to help you become more efficient when playing live.</p>
<p><img title="music-production-banner" src="../files/2011/10/music-production-banner.jpg" alt="" width="200" height="78" /></p>
<p><strong>Start dates and information about payment plans can be found </strong><a href="https://www.dubspot.com/register/djproducer-master-certificate-program"><strong> </strong></a><strong><a href="http://www.dubspot.com/programs/maschine-program/?from=5301#courses">here</a></strong>.</p>
<p>Or if you have questions, please call <strong>877.DUBSPOT</strong> or <a href="http://www.dubspot.com/contact">send us a message</a>.</p>
<p><strong>Native Instruments <a href="http://www.dubspot.com/maschine/">MASCHINE</a> </strong>redefines    hardware and software integration for music production and creative    performance. Upon completion of this program, you will have written a    full original track using multiple plug-in instruments and effects,    produced a remix based on rearranged source material with your own    musical additions, and made recordings of yourself improvising with both    projects while creating break downs, build ups, and effect    manipulations.</p>
<p><strong>What’s Included:</strong></p>
<p><strong> </strong></p>
<ul>
<li><strong>MASCHINE Level 1: Programming and Beat Making Basics</strong></li>
<li><strong>MASCHINE Level 2: Sampling, Slicing and Composing</strong></li>
<li><strong>MASCHINE Level 3: Advanced Production and Performance Techniques</strong></li>
</ul>
<p><strong> </strong><p><a href="http://blog.dubspot.com/maschine-video-tutorial-invisible-aswell-part3/"><em>Click here to view the embedded video.</em></a></p></p>
]]></content:encoded>
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		<title>Music Foundations Tutorial &amp; Course Preview w/ Mark de Clive-Lowe: Chord Progressions +</title>
		<link>http://blog.dubspot.com/music-foundations-video-chord-progressions-improvisation/</link>
		<comments>http://blog.dubspot.com/music-foundations-video-chord-progressions-improvisation/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 18:17:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://blog.dubspot.com/?p=27529</guid>
		<description><![CDATA[In this special masterclass recorded for Future Music Magazine, guest instructor Mark de Clive-Lowe demonstrates the use of the Minor Pentatonic scale over a simple two chord progression. The students present in the video are part of Dubspot's three level Music Foundations program ]]></description>
			<content:encoded><![CDATA[<p>In this special masterclass recorded for Future Music Magazine, guest instructor <a href="http://www.markdeclivelowe.net/">Mark de Clive-Lowe</a> demonstrates the use of the Minor Pentatonic scale over a simple two chord progression. The students present in the video are part of Dubspot&#8217;s three level <a href="http://www.dubspot.com/music-foundations/">Music Foundations</a> program designed and developed by <a href="http://blog.dubspot.com/essential-music-foundations-emf-level-1-music-appreciation-w-martin-perna/">Martin Perna</a>, an Austin, Texas based musician, educator and social entrepreneur. Currently available in our school in New York City and <a href="http://www.dubspot.com/dubspot-online/">Dubspot Online</a>, this program provides the best possible start to the newcomer in electronic music production as well as DJing.</p>
<p><a href="http://blog.dubspot.com/music-foundations-video-chord-progressions-improvisation/"><em>Click here to view the embedded video.</em></a></p>
<p>Did you know that there are three distinct types of musicians in today&#8217;s global music scene? These types of musicians direct their attention to different aspects of the compositional process: one is focused primarily on <a href="http://www.markdeclivelowe.net/">pitch/melody</a>, another on <a href="http://www.youtube.com/watch?v=6lrtWy6qQNY">rhythm/beats</a>, and the last on <a href="http://www.youtube.com/watch?v=tPt4-LZF1Bs">timbre/sound design</a>. Today, the <a href="http://www.youtube.com/watch?v=2fmo1Sjn7dg">well-rounded musician</a> will be well versed in all three of these areas and that is the main idea behind Dubspot&#8217;s Music Foundations program.</p>
<p>Using material from Music Foundations Level 2: Keys and Melodic Theory, Mark de Clive-Lowe focuses on pitch and melody with the goal of using a set of pitches to improvise over a two chord progression, namely the Pentatonic scale (a common five note scale). The said progression goes from a C Minor chord to an F Minor chord, and that fits nicely underneath the C Minor Pentatonic scale. WIth the addition of some tension filled note choices, such as the #4/b5 &#8220;blue note&#8221;, more melodic variations can quickly be created. By the end of this video we see all of the elements put together in two musical examples in different genres and at different tempi. This is a small taste of what you will learn in the Music Foundations program at Dubspot. Be sure to check out other <a href="http://blog.dubspot.com/tag/electronic-music-theory/">music theory</a> related articles here in the Dubspot Blog.</p>
<p><strong>Written by Patrick Cupo, Director of Curriculum Development</strong></p>
<p><img title="mdcl3" src="../files/2012/01/mdcl3.jpg" alt="" width="640" height="360" /></p>
<p><a href="http://www.dubspot.com/music-foundations/"><img title="music-foundations-banner-3" src="../files/2011/10/music-foundations-banner-3.jpg" alt="" width="188" height="75" /></a></p>
<p><strong>Start dates and information about payment plans can be found <a href="https://www.dubspot.com/register/music-foundations-program">here</a>.</strong></p>
<p>Or if you have questions, please call 877.DUBSPOT or <a href="http://www.dubspot.com/contact">send us a message</a>.</p>
<p>Unravel electronic music’s origins, build   your chops, learn the     language and theory, and make and play music the   way you want.    Students   will develop a deeper understanding of the  roots and     lineage  of a   variety of electronic and dance music,  strengthen their     keyboard   skills,  and learn valuable music theory  skills,   deepening   their   creative  practice and facilitating effective    collaborations  with    musical  partners.</p>
<p><strong>What’s Included:</strong></p>
<ul>
<li><strong>Essential Music Foundations Level 1: Electronic Music Appreciation</strong></li>
<li><strong>Essential Music Foundations Level 2: Keys &amp; Melodic Theory</strong></li>
<li><strong>Essential Music Foundations Level 3: Pads &amp; Rhythmic Theory</strong></li>
</ul>
<p><em>This course exceeded my expectations. I went through everything I needed to have a solid knowledge of basic music theory.</em><br />
- Jonathan Crespo, Miami</p>
<p><em>EMF (Music Foundations) has been an amazing experience! I  didn’t realize I was going    to learn so much about electronic music  history, something my    generation missed.<br />
</em>- Yianno Koumi, United Kingdom</p>
<p><a href="http://blog.dubspot.com/music-foundations-video-chord-progressions-improvisation/"><em>Click here to view the embedded video.</em></a></p>
]]></content:encoded>
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		<title>Propellerhead Reason 6 &#8211; New Course Preview + Thor Sample Video Tutorial: Bass Sound Design</title>
		<link>http://blog.dubspot.com/propellerhead-reason-course-preview-bass-sound-design/</link>
		<comments>http://blog.dubspot.com/propellerhead-reason-course-preview-bass-sound-design/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 20:13:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Dubspot Homepage]]></category>
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		<guid isPermaLink="false">http://blog.dubspot.com/?p=27480</guid>
		<description><![CDATA[In this new video, Dubspot instructor and course designer Chris Petti offers a preview into Dubspot's revamped Reason curriculum, and shows you how to create a Wavetable based synth lead sound from scratch using Propellerhead Reason’s powerful polysonic synthesizer Thor. ]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.dubspot.com/propellerhead-reason-course-preview-bass-sound-design/"><em>Click here to view the embedded video.</em></a></p>
<p>In this new video, Dubspot instructor and course designer Chris Petti offers a preview into Dubspot&#8217;s revamped <a href="http://www.dubspot.com/programs/reason-producer-certificate-program/">Reason</a> curriculum, and shows you how to create a Wavetable based synth lead sound from scratch using <a href="http://www.propellerheads.se/">Propellerhead</a> Reason’s powerful polysonic synthesizer Thor. In a step by step process, he explains and demonstrates how you can design unique bass sounds while exploring the creative possibilities of Reason&#8217;s versatile Thor; from a basic explanation of Wavetable synthesis and adding oscillators and combining wave sounds and effects to adding real-time controls and engaging Thor&#8217;s WaveShaper, which is usually used to alter and twist sounds for dramatic results. For further exploration of Propellerhead Reason’s  <strong>Thor</strong> and Wavetable synthesis, be sure to check out our <a href="http://www.dubspot.com/programs/reason-record-producer-certificate-program/?from=107">Reason &amp; Record Program</a>.</p>
<p><img title="music-production-banner" src="../files/2011/10/music-production-banner.jpg" alt="" width="200" height="78" /></p>
<p>Master  Reason &amp; Record with our complete program of courses    culminating in  a four track EP ready for release.  In addition to    achieving a complete  overview of the composition process in Reason    &amp; Record you’ll also earn the Dubspot Producer’s Certificate in    Reason &amp; Record.  After  completing this program, you will leave  with a new EP, a remix   entered  in an active remix contest, a Refill  ready to share, and the   Dubspot  Producer’s Certificate in Reason  &amp; Record.</p>
<ul>
<li>Reason Level 1: Sketches, Beats, and Remixes</li>
<li>Reason Level 2: Dissect and Reconstruct</li>
<li>Reason Level 3: Sound Design</li>
<li>Reason Level 4: Advanced Sound Design</li>
<li>Reason Level 5: Recording and Mixing</li>
<li>Reason Level 6: Beyond the Rack</li>
</ul>
<p>This program is about learning Reason by going through the entire process of being an artist, from developing your sound through a series of sketches while getting familiar with the application to creating a fully-fleshed out four song EP. You will create a remix and submit it to an active remix contest, create a refill, and learn valuable insider tips and techniques.</p>
<p><strong>Start dates and information about payment plans can be found <a href="https://www.dubspot.com/register/music-foundations-program">here.</a></strong></p>
<p>Or if you have questions, please call 877.DUBSPOT or <a href="http://www.dubspot.com/contact">send us a message</a>.</p>
<p><a href="http://blog.dubspot.com/propellerhead-reason-course-preview-bass-sound-design/"><em>Click here to view the embedded video.</em></a></p>
]]></content:encoded>
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		<title>Maschine Video Tutorial &#8211; Understanding Multi FX Routing, Automation, Patterns</title>
		<link>http://blog.dubspot.com/maschine-video-tutorial-multi-fx-chain/</link>
		<comments>http://blog.dubspot.com/maschine-video-tutorial-multi-fx-chain/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 18:53:18 +0000</pubDate>
		<dc:creator>Michael Walsh</dc:creator>
				<category><![CDATA[Maschine]]></category>
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		<guid isPermaLink="false">http://blog.dubspot.com/?p=27403</guid>
		<description><![CDATA[In this video tutorial that was created for Future Music Magazine, Dubspot Instructor Matt Cellitti explains how to use and manipulate powerful multi-fx programs in Native Instruments' Maschine.]]></description>
			<content:encoded><![CDATA[<p><strong><em>In this video tutorial that was created for <a href="http://www.musicradar.com/futuremusic" target="_blank">Future Music Magazine</a>, Dubspot Instructor </em><em><a href="http://www.dubspot.com/instructors/">Matt Cellitti</a> </em><em>explains how to use and manipulate powerful multi-fx programs in  Native Instruments&#8217; Maschine.</em></strong><em> Cellitti is </em><em>co-designer and developer of our <strong><a href="http://www.dubspot.com/maschine/">Maschine program</a>, </strong>along with our very own </em><em><a href="http://www.dubspot.com/instructors/"><strong>Heinrich Zwahlen</strong></a></em><em>. This is the definitive program for high quality training on Maschine’s hardware/software combination</em><em>. Classes will be available in our school in New York  City and at <strong><a href="http://www.dubspot.com/dubspot-online/">Dubspot Online</a></strong> this month. </em></p>
<h4>Future Music Maschine Video Tutorial &#8211; Multi Effect Chain</h4>
<p><a href="http://blog.dubspot.com/maschine-video-tutorial-multi-fx-chain/"><em>Click here to view the embedded video.</em></a></p>
<div>
<p>One of the most powerful aspects of Maschine is  the ability to quickly create patterns on the fly.  Maschine users are  well aware of how easy it is to record a drum pattern, duplicate it, and  add variations.  What might not be so obvious to some is how easily we  can create patterns for effects as well.  A pattern in Maschine does not  have to always include &#8220;note&#8221; values, but rather, we can create  elaborate, expanding patterns using nothing but the automation of effect  parameters.</p>
</div>
<div>
<p><strong>Maschine will allow you to route  any sound into an &#8220;FX Group&#8221;, similar to how we experience Sends and  Returns inside of your favorite recording programs.  Unlike most DAWs  however, Maschine will allow you to save a complex Multi FX chain that  also includes up to 64 patterns of effect automation.</strong> So imagine being  able to pull up a crazy delayed-flanging-pitched-FM  modultaing-reverby-grain stretched effect that will evolve over the  course of your song because you are able to sequence effect changes much  like you would a drum pattern.  So do yourself a favor and go create  some trippy effect chains and that will spice up your drum and  instrument tracks.  This is a sure fire way to make sure you don&#8217;t fall  into the repetitive electronic music rut, where your patterns just loop  over an over without much change.</p>
</div>
<div>
<p><strong>- Dubspot Instructor Matt Cellitti</strong></p>
<p><img title="music-production-banner" src="../files/2011/10/music-production-banner.jpg" alt="" width="200" height="78" /></p>
<p><strong>Native Instruments <a href="http://www.dubspot.com/maschine/">MASCHINE</a> </strong>redefines   hardware and software integration for music production and creative   performance. Upon completion of this program, you will have written a   full original track using multiple plug-in instruments and effects,   produced a remix based on rearranged source material with your own   musical additions, and made recordings of yourself improvising with both   projects while creating break downs, build ups, and effect   manipulations.</p>
<p><strong>What’s Included:</strong></p>
<p><strong> </strong></p>
<ul>
<li><strong>MASCHINE Level 1: Programming and Beat Making Basics</strong></li>
<li><strong>MASCHINE Level 2: Sampling, Slicing and Composing</strong></li>
<li><strong>MASCHINE Level 3: Advanced Production and Performance Techniques</strong></li>
</ul>
<p><em><img title="sound-design-banner" src="../files/2011/10/sound-design-banner.jpg" alt="" width="199" height="76" /></em></p>
<p>Become fluent in the language of sound design with this comprehensive program. This six-level <strong><a href="http://www.dubspot.com/sound-design/">Sound Design</a></strong> program uses Native Instruments’ Komplete 7 as a platform for learning   synthesis and sampling techniques. Starting with an introduction to the   properties of sound, this comprehensive series of courses covers most   common synthesis methods available for music production in the DAW of   your choice.</p>
<p>Discovering the right sound is like finding a needle in the digital   haystack. Learn the fundamentals to make this easier, and gain the depth   of knowledge to make a good sound better. Factory content is great,  but  everyone has it – your mix needs something special.</p>
<p><em> </em><strong>What’s Included:<br />
</strong></p>
<ul>
<li><strong>Sound Design Level 1: Introduction to Komplete 8<br />
</strong></li>
<li><strong>Sound Design Level 2: Synthesis with Massive, FM8 and Absynth</strong></li>
<li><strong>Sound Design Level 3: Sampling with Kontakt and Battery</strong></li>
<li><strong>Sound Design Level 4: Advanced Sound Design</strong></li>
<li><strong>Sound Design Level 5: Reaktor Ensembles and Instruments</strong></li>
<li><strong>Sound Design Level 6: Reaktor Programming</strong></li>
</ul>
<p><strong>Start dates and information about payment plans can be found </strong><a href="https://www.dubspot.com/register/djproducer-master-certificate-program"><strong> </strong></a><strong><a href="http://www.dubspot.com/programs/maschine-program/?from=5301#courses">here</a></strong>.</p>
<p>Or if you have questions, please call <strong>877.DUBSPOT</strong> or <a href="http://www.dubspot.com/contact">send us a message</a>.</p>
</div>
]]></content:encoded>
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		<title>Lemur for iPad Video Tutorial Pt 1 &#8211; How to Create Your Own Interface</title>
		<link>http://blog.dubspot.com/lemur-video-tutorial-part-1/</link>
		<comments>http://blog.dubspot.com/lemur-video-tutorial-part-1/#comments</comments>
		<pubDate>Fri, 06 Jan 2012 17:23:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Dubspot Homepage]]></category>
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		<guid isPermaLink="false">http://blog.dubspot.com/?p=27295</guid>
		<description><![CDATA[In part one of this two-part video tutorial series, Dubspot instructor Evan Sutton explains basic setup of the Lemur and the Lemur Editor. To start, an Ad-Hoc network is created. Once the iPad running Lemur software is connected, it will automatically update with the changes made in the editor. ]]></description>
			<content:encoded><![CDATA[<h4>Dubspot Electronic Music Production and Sound Design instructor Evan Sutton demonstrates the Lemur Editor, and creating an interface for the Lemur app on iOS from <a href="http://liine.net/en/products/lemur/" target="_blank">Liine</a>.</h4>
<p><a href="http://blog.dubspot.com/lemur-video-tutorial-part-1/"><em>Click here to view the embedded video.</em></a></p>
<p>The original <a href="http://www.jazzmutant.com/lemur_overview.php" target="_blank">Lemur</a> was a hardware unit, introduced back in 2004. Used by the likes of <a href="http://bjork.com/" target="_blank">Björk</a>, <a href="http://devinesound.net/" target="_blank">Richard Devine</a>, and <a href="http://www.modeselektor.com/" target="_blank">Modeselektor</a> to name a few, it was one of the first multitouch touch screen controllers. After years of woe and longing, the legendary Lemur software is available for use on iOS devices. The main advantage of using a touch screen controller is the fact that you can create your own unique interfaces, full of buttons, knobs, pads, faders, or whatever else you&#8217;d like. <strong>The Lemur Editor </strong>(formerly called the JazzEditor), is software that runs on your computer, and is where custom interfaces are created for use with Lemur.</p>
<p>In part one of this two-part series, basic setup of the Lemur and Lemur Editor are explained. To start, an Ad-Hoc network is created. Once the iPad running Lemur software is connected, it will automatically update with the changes made in the editor. As far as objects go, we&#8217;ll start with the Fader and MultiBall. A great thing about the Lemur is its physics engine, which we can use with both objects. After MIDI is set up, it&#8217;s time to take a look at the Lemur Daemon. The Lemur Daemon brokers internal MIDI connections between incoming Lemur control signals and other programs running on your computer, such as Ableton Live. Here, we set up the connection manually.</p>
[contact-form]
<p>Stay tuned for part two where Evan will put the Lemur to use with an  Ableton Live set. Both the Lemur interface, and the Ableton Live Effects  Rack will be available for download.</p>
<p><a href="http://blog.dubspot.com/files/2012/01/lemur-sutton2.jpg" rel="lightbox[27295]" title="Evan Sutton on Lemur for iPad"><img class="alignnone size-full wp-image-27326" title="Evan Sutton on Lemur for iPad" src="http://blog.dubspot.com/files/2012/01/lemur-sutton2.jpg" alt="" width="640" height="360" /></a></p>
<p><em><a href="http://suttonevan.com/" target="_blank">Evan Sutton</a> is  an electronic music producer, sound designer, and audio engineer. He is  an instructor of Electronic Music Production and Sound Design, as well  as a Curriculum Designer and Developer of the <a href="http://www.dubspot.com/sound-design/" target="_blank">Sound Design</a> Program at Dubspot. You can hear music, and find more about him at his outfit, <a href="http://astrolith.wordpress.com/" target="_blank">Astrolith.net</a> and <a href="http://soundcloud.com/astrolith" target="_blank">SoundCloud.com/Astrolith</a>.</em></p>
<p><em><img title="sound-design-banner" src="../files/2011/10/sound-design-banner.jpg" alt="" width="199" height="76" /></em></p>
<p>Become fluent in the language of sound design with this comprehensive program. This six-level <strong><a href="http://www.dubspot.com/sound-design/">Sound Design</a></strong> program uses Native Instruments’ Komplete as a platform for learning   synthesis and sampling techniques. Starting with an introduction to the   properties of sound, this comprehensive series of courses covers most   common synthesis methods available for music production in the DAW of   your choice.</p>
<p>Discovering the right sound is like finding a needle in the digital   haystack. Learn the fundamentals to make this easier, and gain the depth   of knowledge to make a good sound better. Factory content is great,  but  everyone has it – your mix needs something special.</p>
<p><em> </em><strong>What’s Included:<br />
</strong></p>
<ul>
<li><strong>Sound Design Level 1: Introduction to Komplete 8<br />
</strong></li>
<li><strong>Sound Design Level 2: Synthesis with Massive, FM8 and Absynth</strong></li>
<li><strong>Sound Design Level 3: Sampling with Kontakt and Battery</strong></li>
<li><strong>Sound Design Level 4: Advanced Sound Design</strong></li>
<li><strong>Sound Design Level 5: Reaktor Ensembles and Instruments</strong></li>
<li><strong>Sound Design Level 6: Reaktor Programming</strong></li>
</ul>
<p><strong>Start dates and information about payment plans can be found </strong><a href="https://www.dubspot.com/register/djproducer-master-certificate-program"><strong> </strong></a><strong><a href="http://www.dubspot.com/programs/maschine-program/?from=5301#courses">here</a></strong>.</p>
<p>Or if you have questions, please call <strong>877.DUBSPOT</strong> or <a href="http://www.dubspot.com/contact">send us a message</a>.</p>
<p><a href="http://blog.dubspot.com/lemur-video-tutorial-part-1/"><em>Click here to view the embedded video.</em></a></p>
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