Using Absynth to Morph Sound Waves: Sound Design Video Tutorial w/ Native Instruments Komplete

In the latest video tutorial with Dubspot sound design course designer/instructor Evan Sutton, we explore the sonic capabilities of “morphing waves” in Native Instruments’ Absynth software.

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Evan Sutton is one of Dubspot’s esteemed instructors by day and a sonic alchemist by night with his Astrolith (Space is the Place) music project which employs wobbling, funky bass lines under pitch-modulated vocals and synths. In this new video, Sutton shares his creative process of “adding a counterpoint” to his signature wobble using Native Instruments’ Absynth instrument. “At the core of this sound is the morphing wave. This is a really cool feature that Absynth has, and one of the only places where additive synthesis is used in Native Instruments’ Komplete (aside from Reaktor library instruments),” explains Sutton. In this tutorial he uses Logic as a DAW, but also explains that the process for using Absynth is exactly the same if you use Ableton or another DAW.

“Absynth is one of the most highly underrated and misunderstood synths out there. It’s been used by countless luminaries, including Trent Reznor, and adored by movie sound designers for years. One of the unique qualities of Absynth is that it is one of the only places in the entire Komplete suite where we can use additive synthesis. Additive synthesis is the process of bringing together many sinusoid partials in order to build a sound from the ground up. Absynth draws on additive synthesis to let us morph between two distinct timbres, creating unusually rich sonic textures. Absynth is an incredibly versatile tool, so it’s important to take a deep breath, and think about what you’re trying to accomplish. Once you get the workflow down, this synth could end up being your best friend.” Dubspot instructor Evan Sutton

Evan Sutton a.k.a Astrolith is an electronic music producer, sound designer, and audio engineer, as well as teaching sound design and electronic music production at Dubspot. He also helped develop Dubspot’s Sound Design program. You can hear Evan’s music and find out more about him at astrolith.net and soundcloud.com/astrolith.

Related Dubspot Courses:

Become fluent in the language of sound design with this comprehensive program. This six-level Sound Design program uses Native Instruments’ Komplete as a platform for learning synthesis and sampling techniques. Starting with an introduction to the properties of sound, this comprehensive series of courses covers most common synthesis methods available for music production in the DAW of your choice.

Discovering the right sound is like finding a needle in the digital haystack. Learn the fundamentals to make this easier, and gain the depth of knowledge to make a good sound better. Factory content is great, but everyone has it – your mix needs something special.

UPCOMING Sound Design Courses Starting In New York City:

November 14, 2012 in NYC – Wednesdays and Fridays, 6:15-9pm

What’s Included:

  • Sound Design Level 1: Introduction to Komplete 8
  • Sound Design Level 2: Synthesis with Massive, FM8 and Absynth
  • Sound Design Level 3: Sampling with Kontakt and Battery
  • Sound Design Level 4: Advanced Sound Design
  • Sound Design Level 5: Reaktor Ensembles and Instruments
  • Sound Design Level 6: Reaktor Programming

Start dates and information about payment plans can be found here.

Or if you have questions, please call 877.DUBSPOT or send us a message.

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