In this video tutorial, Dubspot Electronic Music Production and Sound Design instructor Evan Sutton demonstrates arpeggiation and morphing function of Native Instruments‘ FM8, and uses them to build a TB-303 style acid/techno bassline.
We’ll start with a classic FM pair, which consists of two oscillators, each loaded with sine waves. Once a usable tone has been created, movement is introduced by adjusting the modulator’s amplitude envelope. The arpeggiator in FM8 is designed to take incoming notes and build a new sequence according to the settings in the Pattern Editor. It blurs the line between step sequencer and arpeggiator, as it has a step matrix, with many flexible features. The last step is to create some variations on the sound. FM8’s morphing capabilities allow for four different patches to be transitioned between (morphed). Remember that not all parameters in FM8 can be morphed. All FM8 library patches have four morph variations built in. Once the sound is complete, it’s time to jam. We’ll add MIDI control for the morph box in the host DAW, and fire away.
- Dubspot Instructor Evan Sutton
Evan Sutton is an electronic music producer, sound designer, and audio engineer. He is an instructor of Electronic Music Production and Sound Design, as well as a Curriculum Designer and Developer of the Sound Design Program at Dubspot. You can hear music, and find more about him at his outfit, Astrolith.net and SoundCloud.com/Astrolith.
Become fluent in the language of sound design with this comprehensive program. This six-level Sound Design program uses Native Instruments’ Komplete as a platform for learning synthesis and sampling techniques. Starting with an introduction to the properties of sound, this comprehensive series of courses covers most common synthesis methods available for music production in the DAW of your choice.
Discovering the right sound is like finding a needle in the digital haystack. Learn the fundamentals to make this easier, and gain the depth of knowledge to make a good sound better. Factory content is great, but everyone has it – your mix needs something special.
- Sound Design Level 1: Introduction to Komplete 8
- Sound Design Level 2: Synthesis with Massive, FM8 and Absynth
- Sound Design Level 3: Sampling with Kontakt and Battery
- Sound Design Level 4: Advanced Sound Design
- Sound Design Level 5: Reaktor Ensembles and Instruments
- Sound Design Level 6: Reaktor Programming
Start dates and information about payment plans can be found here.
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