Logic Tutorial: Polyrhythmic Acid Bass Lines w/ ES2 Synth – Secret Knowledge w/ Shadetek Pt 9

Dubspot instructor and course designer Matt Shadetek returns with another episode of Secret Knowledge, a Logic Pro video tutorial series full of production tips, techniques, and advice for Logic users. In this installment, Shadetek explores the concept of polyrhythms using Logic’s ES2 virtual analog synthesizer.

YouTube Preview Image

In this tutorial we’re going to do something a little more experimental than we usually do and explore the concept of polyrhythms.  I thought this would be a good topic since a lot of people throw this term around without completely understanding the meaning.

A polyrhythm is not any rhythm with a lot going on in it, for example a busy percussion part. A polyrhythm is when we have multiple rhythms existing simultaneously.  An example of this would be if a DJ took two songs, one in 6/8 time signature and one in 4/4 and layered them over each other.  Overtly polyrhythmic music is not something which we find in a lot of electronic music and in western music in general and so to the untrained ear it can seem quite complex.  A way that I find it can be interesting to introduce polyrhythms is to use them on ‘soft’ rhythmic elements, like changes in timbre or pitch.  In this example I set up a one note acid-like synth line over a four on the floor beat and then create two patterns. One pattern contains a pitch bend and is five beats long and the other contains a filter tweak and is three beats long.  These rhythms loop on their own cycle and create interesting shifting patterns.  The 4 beat line and the 5 beat pitch bend coincide every 20 beats (or 5 bars in our drum/acid time signature of 4/4) and the filter tweak coincide every 12 beats (or 3 bars).  The entire piece repeats every 15 bars with the first beat of each pattern lining up and restarting. To understand the length of the repetition cycle in a polyrhythmic system you can multiply the length of each cycle by each other, so in this case a 3 and 5 bar cycle create a 15 bar pattern.

Using these kind of simple looping pieces we can create what we call emergent complexity, where simple rules give rise to complex results.  What I like about this approach is that although at times the changes may seem unexpected or even random they are being created by a system which can be understood and controlled. – Matt Shadetek

Matt Shadetek is a DJ, producer and teacher based in Brooklyn, New York. He runs the Dutty Artz label with DJ /Rupture and will be releasing his second solo album The Empire Never Ended on March 26th 2013. Hear his music at mattshadetek.com

For further exploration of Logic check out Dubspot’s six-level Logic Pro Producer program, designed by Matt Shadetek. In this course (whether at our online school or our physical school in New York City), students will learn to create a four-track EP, starting with a set of musical sketches and developing them over the course of six levels, refining their craft as they advance.

Master Logic with our complete program of courses culminating in a four-track EP ready for release. In addition to achieving a complete overview of the composition process in Logic you’ll also earn the Dubspot Producer’s Certificate in Logic Pro. After completing this program, you will leave with a new EP, a remix entered in an active remix contest, and a scored commercial to widen your scope.

What’s Included

  • Logic Pro Level 1: Shake Hands with Logic
  • Logic Pro Level 2: Completing Your First Track
  • Logic Pro Level 3: Mixing Essentials
  • Logic Pro Level 4: Sound Design & Instrumentation
  • Logic Pro Level 5: Advanced Composition & Production
  • Logic Pro Level 6: Taking Your EP Global

Music Production with Logic Pro classes just started; sign-up today!:

January 30th in NYC – Wednesdays & Fridays, 6:15-am-9:00pm
The week of April 21st DUBSPOT ONLINE

YouTube Preview Image